Too Many Zooz

DSP Shows

Too Many Zooz

Barroom Philosophers

Wed · March 21, 2018

Doors: 7:00 pm / Show: 8:00 pm

$15.00 - $20.00

Tickets at the Door

Too Many Zooz
Too Many Zooz
At the 2016 CMA Awards one sound burst from the stage like a thunderquake. As Beyoncé performed "Daddy Lessons" accompanied by Dixie Chicks and Too Many Zooz -- the New York City trio which originally recorded the song on the star's Lemonade album -- TMZ brought the sound of the street to Beyoncé's glittering musical declaration. Glued to their smart phones, tablets, and TVs, America beheld Too Many Zooz' innovative polyglot style.

Beyoncé and Dixie Chicks sashayed the song's verses in a rollicking country vibe, but as the performance neared midpoint, a tall, burly baritone saxophonist with a luminous white pompadour took the stage like a bar-walking gladiator. TMZ's Leo P danced, shimmied, and shaked, matching Beyoncé move for move, while blowing growling saxophone notes that infused urban funk to "Daddy Lessons"' two-beat country jig. TMZ trumpeter Matt Doe and drummer King of Sludge performed on the stage's backline as a blaring brass line raised "Daddy Lessons"' intensity, followed by Beyoncé and Dixie Chicks slamming song's political theme home.

Too Many Zooz's saxophonist Pellegrino, trumpeter Matt Doe, and drummer King of Sludge held Nashville's Bridgestone Arena stage for mere minutes, but the same talent that moved Beyoncé to have the group record both "Daddy Lessons" and "Formation" on Lemonade has seen TMZ sell thousands of CDs and downloads, and inspired viral videos.

Too Many Zooz's manic music, dubbed "BrassHouse" by drummer King of Sludge, is an irresistible rocket that combines styles more diverse and far-flung than any international space station. As heard on the group's EPs -- F NOTE, Fanimals, Brasshouse Volume 1: Survival of the Flyest, The Internet, and the LP, Subway Gawdz -- Too Many Zooz creates a visceral smack-to-the-senses. TMZ's BrassHouse summons EDM, house, techno, and glitch, paired to the indigenous punch of Cuban, Afro-Cuban, Caribbean, and Brazilian Carnival rhythms. TMZ's music is further heightened by the dancing and saxophone soloing prowess of Pellegrino, virtually a bionic Pepper Adams. Like Nortec Collective mashed with Daft Punk by way of a mad sonic scientist, Too Many Zooz has conquered New York City -- your headset's resistance is futile.

"We pride ourselves that nearly every person of every color, creed and background and upbringing can find something in our music to relate to," Matt Doe says. "Someone from Cuba can say 'I hear Cuban music in the cowbells.' Someone into death metal will enjoy it next to a grandmother who hears it as old swing music. Others hear Klezmer. Whatever people want to hear in our music they can seemingly find it."

Many New Yorkers discovered Too Many Zooz at the Union Square subway station, where the trio began busking in 2014. After one of TMZ's videos went viral on Reddit, creating almost a million fans, sales of the band's digital downloads and CD sales skyrocketed.

If TMZ's music wasn't already electrifying, Leo Pellegrino's dance moves, which spin like a Zoot-suit wearing swinger, add visual thrills to the band's musical mastery. A classically trained musician, Pellegrino began dancing as both expression and rebellion. What Beyoncé loved is now available to all.

"Horn players, especially baritone saxophone players, look so lame on stage!" Pellegrino notes. "I just watched an NBA half-time show and this band's horn players were killing my eyes. I wondered 'why does the horn have to be such a lame instrument visually?' I began dancing in the subway and people loved it. I realized that I had been brainwashed, all my teachers telling me not to move. I'd been told that was improper technique, but that became my key to success."

Too Many Zooz's songs are marvels of simplicity born of musical complexity. Pellegrino, Doe, and King of Sludge condense multiple -- what might be considered clashing styles -- into a riveting jackhammer brew. King of Sludge's staccato eighth-note rhythms performed on a unique bass drum/cowbell/jamblock/cymbal setup forms the music's gritty rhythmic bed. Matt Doe's trumpet provides melody and harmony, while Leo Pelligrino's saxophone follows rhythm directions and solo revelry.

"I don't like using standardized terms when describing our music," Matt explains. "We're all doing things that are out of the ordinary. I provide the synth sound you would hear in a dance track. Leo plays saxophone but he's also providing the bass sound you would hear in electronic music. When Leo solos, it's like a breakdown when the bass is the featured element of the band. I don't solo per se, but I am playing nearly the entire show. It doesn't make sense for me to play more!"

TMZ's seeds were formed when Indiana native King of Sludge, and Boston-born Pellegrino played in subway busking band, Drumadics. Fellow Manhattan School of Music classmate and Pittsburgh native Doe played in various ensembles with Pellegrino, the threesome eventually busking together by chance -- their chemistry sparking an instant bond.

"From the start, we were all bouncing off each other, listening to each other and not thinking too much," Doe says.

TMZ have collaborated with Galatic, Kreayshawn, Jerry "Wonda" Duplessis, and, of course, Beyoncé.

"Knowing that Beyoncé enjoys our music on her own time?" ponders King of Sludge. "That's a great thing."

What's next for TMZ? The trio's upcoming EP will feature a rawer sound, the group returning to their original roots, and most likely, their original 14th Street subway station.

"When we began, it was just trumpet, saxophone and drums," Leo says. "Our first EP was pretty straight up, then we added production and guests and vocalists on Subway Gawdz. This next EP is back to our roots."

Does TMZ recommend the subway path to stardom?

"The subway, then videos and Beyoncé helped propel our popularity," Matt says. "The subway is a great promotional vehicle. There's nowhere else that you can reach such a wide demographic. If you want to get out and be seen and up your numbers, go to the subway. That's always part of our business plan."
Barroom Philosophers
Barroom Philosophers
Eclectic, in philosophical terms, is defined as, “belonging to a class of ancient philosophers who did not belong to any recognized school of thought, but recognized such doctrines as they wished from various schools.” The same could be said for Syracuse’s own Barroom Philosophers, who embody eclecticism in both the scholastic and the literal sense. From the reaches of Jamaican roots reggae and dub, acid-drenched psychedelia, Chess Records’ Chicago blues and Parliament-era funk, Barroom Philosophers bend genres across the spectrum to create a unique, original groove that differs every show.



Formed in 2014 as a cover band, guitarist Joshua Way, bassist/keyboardist Ty Hancock, drummer Brenden Boshart and lead vocalist Dave Koegel began playing the bar circuit in Syracuse and at Oswego State University. The group began writing and cut their first EP, Thoughts That Count, with Langston Masingale at StudioDog Pro in 2015. The three-song EP was warmly received, and was played substantially at local radio stations in Syracuse. Barroom Philosophers concluded 2015 with a nomination for the Syracuse Area Music Awards (SAMMY’s) and continued playing live relentlessly.



As 2016 began, Barroom Philosophers had garnered a reputation for their animated, high energy shows, and the band continued to thicken its catalog of tracks. The spring saw the hiring of guitarist and vocalist Shawn Tallet, rounding out the sound as a quintet. Feeding their voracious appetite for gigging, “Barroom Philosophers,” could be found on the bill of many Upstate festivals, including MOVE Music Festival in Albany, NY and Sterling Stage Ameribeat. Their versatility can be best understood not only by their sound, but also by their resume of supporting gigs - including John Brown’s Body, Dirty Heads, The Unlikely Candidates, Badfish and the Strumbellas.



In November of 2016, Barroom Philosophers entered the studio for the production of their debut, full-length album, Barroom Philosophers. Co-produced, engineered and mixed by Andrew Greacen and mastered by Jason “Jocko” Randall (John Brown’s Body, Sophistafunk, Turkuaz) at More Sound Studio, the record features 10 tracks of genre boundary-smashing grooves and is set to be released on February 3, 2017. Upon its release, fans can expect Barroom’s standard tireless live schedule and eclectic sound to come to their town very soon.
Venue Information:
The Haunt
702 Willow Ave
Ithaca, NY, 14850
http://thehaunt.com/